This indie film was written, directed by and stars a woman by the name of Miranda July. This was my first exposure to her work. It is quite clear that what we have here is an Artist with a very particular vision. She does not consent to the consensual reality. Instead she shows us her version, her vision.
Just like the cover, Miranda turns things upside down. Instead of seeing the Fu-ture, Miranda see it as it is displayed on the cover. The Fut-ure. This little off kilter reading is a very sweet exercise in mindfulness because it makes us take a fresh look at the ordinary.
This film is all about an exercise in Miranda's kind of mindfulness. All an artist can do is allow you to see the world afresh, and she accomplishes this. So you can call her quirky, weird, a genius or just Way Whimsical but she is just doing what real Artists do.
It is appropriate that the setting is contemporary LA and the players are young enough to have spent a good portion of their formative years playing in the virtual reality of cyberspace. This is the setting where Miranda's vision works; its a viable possible extension of reality that we can relate to by stretching our own vision of what is possible.
The film moves slowly; it is always an exercise in meditative awareness. The most ordinary things are given respectful and sometimes crystalline attention. I found it to be most enjoyable and even though the vision was sometimes dark, it was always human and real and re-freshing. There was humor and pathos and much thoughtfulness.
There is a certain kind of sunset that we would call a Maxfield Parrish sunset. When we say a Rubens woman everyone with some culture immediately sees a rosy voluptuous woman. It is only a small stretch to view an interior room and think it looks like a Miranda July's room. She is that good...